“Beer & Hymns” and Redemption: Reimagining and Reclaiming Religious Identity through Participatory Sing-alongs
Sound & Secularity symposium presentation (2019). Given the ambivalent (and sometimes antagonistic) relationship between houses of worship and houses of drink in the United States, the mere act of singing hymns in bars can be interpreted as resisting prescriptive religious norms. But in recontextualizing these songs in Wild Goose’s pub tent, beers in hand, participants—including current and former churchgoers—reimagine their theologies and reclaim their religious identities. In this paper, I analyze the sonic and social fabric of Beer and Hymns as a participatory space that enables resilience and redemption.
Search and navigate extras
- music industries
- festivals
- gamelan
- God Rock Inc
- Boston
- CCM
- Northeastern University
- Christian rock
- panels
- worship
- congregational music
- Tufts University
- SCM
- record labels
- Nashville
- ethics
- Northeastern Global News
- methods
- Chicago
- University of Chicago
- radio
- punk
- SEM
- capital
- AMS
- TikTok
- subculture
- IASPM-US
- Furnace Fest
- sing-alongs
- hardcore
- Amy Grant
- crossover
- Taylor Swift
- vinyl
- introductions
- TIME
- scene
- AAR
- Universal Music Group
- Beer & Hymns
- emo
- MEIEA
- Christianity Today
- DePaul University
- Future of Pop
- community
- Keith Green
- discography
- SAM